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Alyce Mahon

Dr Alyce Mahon

(On research leave from department until Lent term 2019)

Reader in Modern and Contemporary Art History
Fellow of Trinity College
Director of Studies in History of Art, Trinity College

Office Phone01223 332980 (dept.) or 765132 (Trinity office)

Research Interests

Alyce Mahon is the department's specialist in Modern and Contemporary Art History. She studied the History of Art & Architecture and Modern English at Trinity College Dublin, graduating with a double first and gold medal for exceptional academic achievement. Awarded both Chevening and British Academy scholarships for doctoral studies she moved to London to pursue a PhD at the Courtauld Institute of Art. She received her doctorate in 1999 and took up her position at Cambridge in 2000.


Dr Mahon specialises on the dynamic between the body and the body politic in modern and contemporary art, photography, film and exhibition practice - from dada, Surrealism and  the Sixties counter-culture to feminist and performance art. Her current research projects include the avant-garde 'cult' of the Marquis de Sade and his aesthetic of transgression,  Jean-Jacques Lebel and his 'Festival of Free Expression' (1964-67), and the art and writings of Surrealist Dorothea Tanning (1910-2012).  She is curating the first major retrospective of American Surrealist Dorothea Tanning (1910-2012) for the Reina Sofia Museum, Madrid and Tate Modern, London for 2018-2019.

She has contributed to the accompanying catalogues for, and often acted as curatorial advisor to, major exhibitions on modern and contemporary art throughout her career. In recent years these include: Dreamers Awake (White Cube Bermondsey, London, 2017), No Place Like Home (Israel Museum, Jerusalem, 2017), Silent Partners: Artist and Mannequin from Function to Fetish (Fitzwilliam Museum, Cambridge 2014 & Musée Bourdelle, Paris, 2015 ), The Institute of Sexology (Wellcome Collection, London, 2014), Le Surréalisme et l’objet (Centre Pompidou, Paris, 2013), Leonora Carrington (Irish Museum of Modern Art, Dublin, 2013), Matta. Fiktionen (Bucerius Kunst Forum, Hamburg 2012), and Donna: Avanguardia femminista negli anni ’70 (Galleria nazionale d'arte moderna, Rome, 2010).

Dr Mahon is currently on a British Academy/ Leverhulme Senior Research Fellowship for 2017-2018.

She has been a Distinguished Scholar for the Hong Kong Li Ka Shing Foundation's Scholars Exchange Programme with the University of Cambridge (2004), giving a series of academic and public lectures across China; a Research Fellow at the Columbia University Institute for Scholars, Reid Hall, Paris (2005); a Visiting Scholar at Princeton University (2006-07); and an Andrew Mellon Teaching Fellow at CRASSH, Cambridge (2009). 


At undergraduate level, Mahon teaches a Part II option The Poetics & Politics of Surrealism which addresses the long history of Surrealism (1924-69) as well as its impact on the counter-culture and its legacy in contemporary art. She convenes, and contributes lectures and seminars on modern and contemporary art to core BA papers including  Part I 'Paper 1: Objects' and 'Paper 2/3: The Making of Art' , and Part IIB 'The Display of Art: The Politics of Display'She also contributes lectures to the core, team led paper  'Approaches to the History of Art' .

At graduate level, Mahon supervises students and teaches on the team taught MPhil degree. Topics she covers include Symbolism, the livre d'artiste, Surrealist art and writing, the 'informe' in inter-war Paris, 1960s performance art and contemporary feminist art, film and photography. Dr Mahon has supervised 7 doctoral students to completion (working on aspects of American, French, British and Czech Surrealism; inter-war art in France and America; and contemporary French photography) and currently supervises 3 more. She welcomes enquiries from prospective PhD students interested in fields related to her specialisms - notably dada, Surrealism, performance art, and contemporary feminist art practice in Europe and the United States.

Selected Publications:


Surrealism and the Politics of Eros, 1938-1968 (Thames & Hudson, 2005; trans. Surrealismo Eros y Politica, Alianza Barcelona 2009), in which she documents extensively the ground-breaking international Surrealist exhibitions held in Paris in 1938, 1947, 1959 and 1965, seeking to re-assert the importance of French Surrealism after World War II through a focus on the Surrealists' radical spatial and installation practice.

Eroticism & Art (Oxford University Press, 2005, republished as part of Oxford History of Art Series, 2007), a comprehensive and controversial study of erotic painting, sculpture, photography, and performance art from the Enlightenment to the present day.

* Jean Jacques Lebel: Barricades, co-authored with Axel Heil and Robert Fleck, Köln: Walther König, 2014

Recent published essays include:

* "The Domestic as Erotic rite in the Art of Carolee Schneemann", Oxford Art Journal,  2017,  40 (1), pp 49-64

* "I Do Not See the Woman Hidden in the Forest: Surrealism and the Feminine", in Dreamers Awake, London: White Cube, 2017, pp.2-15.

*  "The Home, Place of Intimacy”, in No Place Like Home, Jerusalem: The Israel Museum, 2017, pp 24-36

* “The Assembly Line Goddess: Modern Art and the Mannequin” in Silent Partners: Artist and Mannequin from Function to Fetish, Yale University Press, 2014, pp.191-221 and 246-248.

 * “Sexology and the Artistic Avant Garde”, in The Institute of Sexology,  London: The Wellcome Trust, 2014, pp.36-49

* “She Who Revealed: The Celtic Goddess in the Art of Leonora Carrington”, in Leonora Carrington, Dublin: Irish Museum of Modern Art & New York: Distributed Art Publishers, 2013, pp. 126-153.

* “La Feminité Triomphante: Leonor Fini and the Sphinx”, Dada/Surrealism, Special Issue on ‘Wonderful Things: Surrealism and Egypt’, Issue 1, no. 19, December 2013 (

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